The problems of writing
pitchblack-the-nightmare-king:
- Having a Beginning
- Having an Ending
- But WHERE’S THE MIDDLE?!?
- HOW DO I GET TO THE ENDING
- WHAT IS A PLOT
- WHAT ARE PLOT DETAILS
- WHAT IS WRITING
And most importantly:
- HOW DO I TITLE
(via thatbetic)
London, 1952
(Source: fewthistle, via prairielullaby)
Jeremy Mann, Portrait of Anastasia
(Source: influer, via gold-locket)
(Source: ant-and-declan)
do you ever look around at the big crowds of people around you and realize everyone has a story and memories and family and troubles and achievements and a first kiss and a broken heart but you’ll never know any of it and every human life is really intricate and expansive but oh they’ve walked into a shop and you’ll never see them again and you’ll never know just what they were thinking
(via walked-two-moons)
Loving is enough
Not here they won’t let us be
(Source: lightdrawrs)
(Source: unoriginalsouls, via hereshestands)
…and you, with all your little flaws and your little quirks, somehow, you keep drawing me back in.
(Source: neuralmente, via t-h-e-o-c)
(Source: nakedpersimmon, via psychojello)
(via pootubers)
Marianne Faithfull in Paris, 1965. Photo by Roger Kasparian.
If you happen to be in London make sure to head over to Snap Galleries. Until June 22nd they are exhibiting unseen photos by Roger Kasparian who photographed many French ye-ye personalities and other stars from the 1960s such as Françoise Hardy, Serge Gainsbourg or The Rolling Stones. For the first time ever these photos are on display, so don’t miss it! Above is a little teaser of the photos he took of Marianne. See the source for more shots of Marianne in Paris.
(via faithfull-pallenberg)
